{"id":81102,"date":"2026-01-30T16:01:47","date_gmt":"2026-01-30T15:01:47","guid":{"rendered":"https:\/\/memorial1418.com\/?page_id=81102"},"modified":"2026-06-26T14:40:35","modified_gmt":"2026-06-26T12:40:35","slug":"exposition-silence-apres-limpact","status":"publish","type":"page","link":"https:\/\/memorial1418.com\/en\/exposition-silence-apres-limpact\/","title":{"rendered":"Exposition : Silence apr\u00e8s l’impact"},"content":{"rendered":"
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Exhibition : <\/span>Silence apr\u00e8s l’impact<\/strong><\/h1>\n<\/div>\n<\/div>\n<\/div>\n
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Photographier les ruines de guerre.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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FREE EXHIBITION<\/span><\/h2>\n

DU 11 avril au 30 ao\u00fbt 2026<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Jusqu’au 30 ao\u00fbt 2026, l\u2019exposition Silence apr\u00e8s l\u2019impact. Photographier les ruines de guerre, pr\u00e9sent\u00e9e en partenariat avec l\u2019ECPAD<\/span><\/p>\n

et Arte, interroge la photographie de ruines de guerre et ce qu\u2019elle r\u00e9v\u00e8le des conflits.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Le territoire du Nord\u2013Pas-de-Calais, et en particulier les villes de Lens et d\u2019Arras, ainsi que des villages tels que Souchez ou Ablain-Saint-Nazaire, ont \u00e9t\u00e9 presque enti\u00e8rement d\u00e9truits pendant la Premi\u00e8re Guerre mondiale. Les affrontements par l\u2019artillerie y ont laiss\u00e9 un paysage d\u00e9vast\u00e9, un territoire meurtri o\u00f9 ne subsistaient souvent que ruines, gravats et vestiges d\u2019habitations. Dans ces paysages silencieux, la photographie est devenue l\u2019un des moyens privil\u00e9gi\u00e9s pour t\u00e9moigner de l\u2019ampleur des destructions et conserver la trace d\u2019un territoire an\u00e9anti par la guerre.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Dans l\u2019iconographie de la guerre, la ruine appara\u00eet lorsque le vacarme s\u2019apaise. Apr\u00e8s l\u2019explosion, apr\u00e8s l\u2019effondrement, parfois m\u00eame apr\u00e8s la fin du conflit, s\u2019installe une forme de silence charg\u00e9 de stupeur, que le photographe tente de capter. Des milliers d\u2019images, professionnelles comme amateurs, ont cherch\u00e9 \u00e0 saisir ce monde d\u2019apr\u00e8s le choc, o\u00f9 la violence demeure encore palpable.<\/p>\n

Des deux guerres mondiales aux conflits les plus contemporains comme l\u2019Ukraine ou Gaza, l\u2019exposition r\u00e9unit des exemples marquants sans pr\u00e9tendre couvrir l\u2019ensemble des affrontements des XX\u1d49 et XXI\u1d49 si\u00e8cles.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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L’avenue Jodi Mayuan, \u00e0 Kaboul, totalement d\u00e9truite lors de la guerre civile qui s\u00e9vit entre 1992 et 1996 \u00a9Eric Bouvet <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Printemps 1915. Un soldat fran\u00e7ais dans une tranch\u00e9e creus\u00e9e sur le flanc de la colline de Notre-Dame de Lorette. A l’arri\u00e8re plan, les ruines du village d’Ablain St Nazaire – Mus\u00e9e de la Tour lanterne<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u00c0 travers des archives et des photographies r\u00e9alis\u00e9es par des op\u00e9rateurs de l\u2019ECPAD (anciennement Section photographique des arm\u00e9es) ainsi que par des photographes tels que Peter Richard Sen, Grant McLean, Richard Peter, Eric Bouvet, Edouard Elias, Chlo\u00e9 Sharrock et Fatma Hassona, le parcours propose des cl\u00e9s de lecture pour comprendre ce que ces images de destruction racontent des conflits.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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La ruine appara\u00eet d\u2019abord comme document : t\u00e9moin d\u2019un \u00e9v\u00e9nement, trace mat\u00e9rielle d\u2019un affrontement, parfois m\u00eame preuve vers\u00e9e \u00e0 l\u2019histoire ou \u00e0 la justice. Puis l\u2019image se charge d\u2019une toute autre puissance : instrumentalis\u00e9e, d\u00e9tourn\u00e9e, elle peut devenir outil de propagande ; mais elle peut aussi, par sa force visuelle et esth\u00e9tique, dire les cons\u00e9quences d\u2019un conflit avec une intensit\u00e9 qu\u2019aucun texte ne saurait \u00e9galer.<\/p>\n

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Entre silence et sid\u00e9ration, ces photographies interrogent notre regard : que voyons-nous lorsque nous contemplons les images de la destruction ? Quelle perception des conflits ces images nous livrent-elles, encore aujourd\u2019hui ?<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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La cath\u00e9drale de la Transfiguration d\u2019Odessa apr\u00e8s l\u2019attaque de missiles russes, 23 juillet 2023\u00a9Minist\u00e8re des Affaires int\u00e9rieures de l\u2019Ukraine<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Les vo\u00fbtes de la Cath\u00e9drale de Reims trou\u00e9es par les obus, juillet 1917\u00a9ECPAD<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Exposition con\u00e7ue par le Centre d’histoire du M\u00e9morial\u201914-18 Notre-Dame-de-Lorette, en partenariat avec l’ECPAD et Arte.<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Visite de l\u2019exposition <\/strong>Silence apr\u00e8s l’impact<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Questionner la photographie de ruines de guerre, de la Premi\u00e8re guerre mondiale \u00e0 nos jours, revient \u00e0 explorer un langage visuel o\u00f9 se m\u00ealent fascination esth\u00e9tique, m\u00e9moire et strat\u00e9gie politique. D\u00e8s les premiers conflits industrialis\u00e9s, l\u2019image de la ruine devient un outil : preuve de la violence, moteur d\u2019\u00e9motion et instrument de mobilisation. Aujourd\u2019hui encore, qu\u2019il s\u2019agisse de villes \u00e9ventr\u00e9es, d\u2019int\u00e9rieurs fig\u00e9s dans le quotidien interrompu ou de monuments sacr\u00e9s devenus symboles, la ruine constitue pour le photographe de guerre une rencontre in\u00e9vitable, r\u00e9v\u00e9latrice de l\u2019ampleur humaine et mat\u00e9rielle du conflit. <\/span><\/p>\n

L\u2019exposition s\u2019int\u00e9resse \u00e0 cette construction visuelle : cadrages intimes, silhouettes vuln\u00e9rables face \u00e0 des masses d\u00e9truites, g\u00e9om\u00e9tries d\u2019impact, jeux d\u2019ombre et de lumi\u00e8re, mais aussi ruines conserv\u00e9es comme marqueurs de m\u00e9moire. \u00c0 travers ces images, des photographes contemporains aux premiers op\u00e9rateurs de l\u2019ECPAD, la destruction devient le symbole incontournable de la violence d\u2019un conflit.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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exposition : Silence apr\u00e8s l’impact Photographier les ruines de guerre. EXPOSITION GRATUITE DU 11 avril au 30 ao\u00fbt 2026 DATE DU 11 avril au 30 ao\u00fbt 2026 LIEU Au Centre d’Histoire du M\u00e9morial 14-18 PRIX Entr\u00e9e gratuite Jusqu’au 30 ao\u00fbt 2026, l\u2019exposition Silence apr\u00e8s l\u2019impact. Photographier les ruines de guerre, pr\u00e9sent\u00e9e en partenariat avec 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