{"id":70971,"date":"2024-06-14T13:19:21","date_gmt":"2024-06-14T11:19:21","guid":{"rendered":"https:\/\/memorial1418.com\/?page_id=70971"},"modified":"2026-04-07T14:43:20","modified_gmt":"2026-04-07T12:43:20","slug":"programmation-autour-de-lexposition-temporaire","status":"publish","type":"page","link":"https:\/\/memorial1418.com\/en\/programmation-autour-de-lexposition-temporaire\/","title":{"rendered":"Programmation autour de l\u2019exposition"},"content":{"rendered":"
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Autour de l’exposition <\/span><\/h1>\n<\/div>\n<\/div>\n<\/div>\n
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Retrouvez toute la programmation autour de l’exposition temporaire<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Visites guid\u00e9es<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Visite de l’exposition Silence apr\u00e8s l’impact<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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L\u2019exposition s\u2019int\u00e9resse \u00e0 cette construction visuelle : cadrages intimes, silhouettes vuln\u00e9rables face \u00e0 des masses d\u00e9truites, g\u00e9om\u00e9tries d\u2019impact, jeux d\u2019ombre et de lumi\u00e8re, mais aussi ruines conserv\u00e9es comme marqueurs de m\u00e9moire. \u00c0 travers ces images, des photographes contemporains aux premiers op\u00e9rateurs de l\u2019ECPAD, la destruction devient le symbole incontournable de la violence d\u2019un conflit. <\/span><\/p>\n

Questionner la photographie de ruines de guerre, de la Premi\u00e8re guerre mondiale \u00e0 nos jours, revient \u00e0 explorer un langage visuel o\u00f9 se m\u00ealent fascination esth\u00e9tique, m\u00e9moire et strat\u00e9gie politique. D\u00e8s les premiers conflits industrialis\u00e9s, l\u2019image de la ruine devient un outil : preuve de la violence, moteur d\u2019\u00e9motion et instrument de mobilisation. Aujourd\u2019hui encore, qu\u2019il s\u2019agisse de villes \u00e9ventr\u00e9es, d\u2019int\u00e9rieurs fig\u00e9s dans le quotidien interrompu ou de monuments sacr\u00e9s devenus symboles, la ruine constitue pour le photographe de guerre une rencontre in\u00e9vitable, r\u00e9v\u00e9latrice de l\u2019ampleur humaine et mat\u00e9rielle du conflit.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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ruines de guerre, t\u00e9moins de l’histoire <\/strong><\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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T\u00e9moins de l\u2019intensit\u00e9 des combats entre 1914 et 1918, l\u2019\u00e9glise d\u2019Ablain Saint-Nazaire et l\u2019abbaye du Mont-Saint-Eloi ont \u00e9t\u00e9, en grande partie, d\u00e9truites. Le choix de laisser ces monuments en l\u2019\u00e9tat de ruines n\u2019est pas anodin : ils nous rappellent la brutalit\u00e9 des combats durant la Premi\u00e8re Guerre mondiale.<\/p>\n

Avec un guide, partez \u00e0 la d\u00e9couverte de ces vestiges du pass\u00e9 qui marquent le paysage des collines d\u2019Artois.<\/p>\n

Pour des raisons de s\u00e9curit\u00e9, les acc\u00e8s aux ruines de Mont Saint-\u00c9loi et d\u2019Ablain-Saint-Nazaire ne sont pas autoris\u00e9s.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Lieu <\/strong>: devant l’ancienne \u00e9glise d’Ablain-St-Nazaire (Blanche voie)<\/span><\/p>\n

Dates<\/strong> : Samedis 18 avril et 20 juin \u00e0 10h<\/span><\/p>\n

Renseignements : 03 21 74 83 15 – <\/strong>contact@memorial1418.com<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Conf\u00e9rences<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Conf\u00e9rence<\/strong> <\/span>Les ruines comme figure de la guerre en 1914-1918<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Avec Emmanuelle Danchin, docteure en histoire contemporaine, chercheure associ\u00e9e au SIRICE (UMR 8138 \u2013 Sorbonnes, Identit\u00e9s, Relations Internationales et Civilisations de l\u2019Europe)<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Les ruines sont les premi\u00e8res cons\u00e9quences directes et visibles d\u2019un conflit. En 1914-1918, les villes et les villages furent des cibles. Les artilleurs, eux, r\u00e9glaient leurs tirs sur des points \u00e9lev\u00e9s tels que les clochers des \u00e9glises, les beffrois et les chemin\u00e9es d\u2019usines. <\/span><\/p>\n

Photographi\u00e9es, dessin\u00e9es, film\u00e9es, les ruines furent publi\u00e9es tout au long de la guerre dans la presse, expos\u00e9es aupr\u00e8s du grand public et \u00e9dit\u00e9es dans des ouvrages, mais aussi sous forme de cartes postales.<\/span><\/p>\n

Cette conf\u00e9rence \u00e9clairera la mani\u00e8re dont les contemporains de 1914 figur\u00e8rent et se repr\u00e9sent\u00e8rent les destructions. Elle s\u2019appuiera plus particuli\u00e8rement sur les photographies officielles, amateurs et sur les cartes postales qui circul\u00e8rent massivement durant le conflit.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

Autour de l’exposition Retrouvez toute la programmation autour de l’exposition temporaire Visites guid\u00e9es Visite de l’exposition Silence apr\u00e8s l’impact L\u2019exposition s\u2019int\u00e9resse \u00e0 cette construction visuelle : cadrages intimes, silhouettes vuln\u00e9rables face \u00e0 des masses d\u00e9truites, g\u00e9om\u00e9tries d\u2019impact, jeux d\u2019ombre et de lumi\u00e8re, mais aussi ruines conserv\u00e9es comme marqueurs de m\u00e9moire. \u00c0 travers ces images, 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